Sunday, July 26, 2026

SHAIViSM AND BUDDHISM UNDER ONE ROOF: GOA GAJAH ,BALI , INDONESIA

                                            
( Avtar Mota outside Goa Gajah, Bali, Indonesia)






                                     
Shaivism and Buddhism Under One Roof: Goa Gajah, Bali, Indonesia 

Goa Gajah, or the "Elephant Cave" near Ubud, stands as one of Bali’s most profound examples of religious syncretism, where Shaivism and Buddhism coexisted under one sacred roof as early as the 9th to 11th centuries. Carved into volcanic rock, the site’s centrepiece is a dark meditation cave housing three Shiva Lingams draped in black, white, and red cloth; a living shrine to Shiva that is still actively worshipped by Balinese Hindus today. Yet, just beyond the cave, the complex reveals unmistakable Buddhist elements: stone Stupas, statues of Hindu-Buddhist deities, and ritual bathing pools adorned with carved nymphs. This architectural and spiritual duality reflects a period in Balinese history when Shaiva and Buddhist priests, scholars, and hermits shared space, rituals, and sacred geography without conflict. Rather than erasing one another, the two traditions merged to form the foundation of what would become Agama Hindu Dharma in Bali. This uniquely Balinese faith honours both Vedic deities and Buddhist principles of meditation and purification. 

In Goa Gajah, stone, water, and ritual become a testament to tolerance. The cave’s Shiva Lingams represent inner asceticism and divine power, while the surrounding Buddhist structures speak to mindfulness and liberation. Together, they remind us that in Bali, spirituality was never about division, but about harmony two great paths meeting, quite literally, under one roof.

( Avtar Mota )



Creative Commons License
Based on a work at http:\\autarmota.blogspot.com\.

A CALENDAR OF MEMORY, BELONGING AND CONTINUITY

                                     



















A Calendar of Memory, Belonging and Continuity ( Released by KOA, USA)

Saw this calendar yesterday. This 2026-27 calendar released by KOA, USA is far more than a marker of time. It is an act of cultural preservation, a quiet resistance against erasure, and a deeply emotional bridge between a displaced community and its homeland. In the meticulous compilation of festivals, tithis, and observances from Chaitra to Phalguna, KOA has ensured that distance of thousands of kilometres does not translate into distance from Dharma. 

Special praise is due to the KOA team and to Uphaar Kotru, the present President, whose leadership has elevated a simple calendar into a work of community art. By carefully computing Panchaks, the Asta of stars, and the truncated treyah tithi dates according to US Time Zones, they have ensured that ritual life remains precise, authentic, and lived; not merely remembered from afar. This attention to detail means that prayers fall on the right day, festivals are observed with fidelity, and traditions continue without dilution, even thousands of miles from home. In this, scholarship becomes seva, and a calendar becomes continuity.

What makes this calendar singular is its heart: the inclusion of children. Each month is paired with a painting done by children from Kashmiri Pandit  families  living in the US. I could read their names as Zivak Kaul, Saanvi Kaul, Bella Kaul Dharmraj, Eva Kaul Sablok, Kavisha Kaul, Saahil Sumbly, Yuvaan Kaul, Advika Raina, Aarya Bazaz, Aadee Wattal, Aanav Sadhoo, Sharanya Kotru, Evania Dhar, Kavi Wali Patel, and Niharika Dhar. Through their brushstrokes, images of the Dal, the Chinar, the shrines, the hills, the Shikaras,  Shiva, Samavar, and the Sharda script alphabet reappear for all to see. These images are not imagined in isolation. They are the product of parents who narrate stories at bedtime, who name festivals, who keep language and food and memory alive in kitchens. To the parents: you are the first archivists. By inviting children to become co-creators, KOA has achieved something rare. It has moved culture from nostalgia to participation. A child who paints Kashmir learns to love it. A community that sees its children paint it learns to believe in its future. These quiet acts of Nishkaam are what keep a people from becoming footnotes in history. Like Arjuna, they have stepped into the field of action without desire for fruit, guided only by duty and faith that  Sri Krishna on the chariot is moving toward them to put an end to their Kurukshetra. By teaching children to paint what they have only heard in stories, and by serving tradition with such steadfastness, the KOA team, its President, the parents, and the young artists are not merely remembering a homeland; they are ensuring it continues to live. In calendars, in classrooms, in kitchens far from the valley, culture finds its continuity. And that, perhaps, is the greatest form of return.

This calendar, therefore, is not just paper. It is inheritance. It is proof that even in alien lands, tradition can be tended, time can be sanctified, and a homeland can be kept alive; one month, one painting, one story at a time. Kudos. Best wishes. Keep going. 

 

(Avtar Mota)





.Creative Commons License
Based on a work at http:\\autarmota.blogspot.com\.

Saturday, July 25, 2026

FRANCOISE BERNIER WAS FIRST PERSON TO BRING KASHMIR TO FRANCE

                                           

Francoise Bernier Brought Kashmir to France


Françoise Bernier (1620–1688) was instrumental in mediating Kashmir to a French intellectual audience in the late seventeenth century. As physician to the Mughal court and correspondent of Jean-Baptiste Colbert, Bernier accompanied Aurangzeb’s entourage across the Pir Panjal in 1664–1665, and subsequently codified his observations in "Voyages dans les États du Grand Mogol (1670–1688)" . Crucially, Bernier’s epistemological framing  indebted to Cartesian rationalism ,  rendered Kashmir legible within French categories of geography, political economy, and comparative climate. Consequently, his text became a canonical source read and cited by the leading intellectuals of the French Enlightenment. 


Key French intellectuals who read Bernier include: Voltaire, who mobilised Bernier in "Essai sur les mœurs" to contest Eurocentric chronologies; 0Montesquieu,  who appropriated his data in "De l’esprit des lois" to elaborate theories of orient

al despotism and environmental determinism; Denis Diderot and Jean le Rond d’Alembert, who drew upon Bernier extensively for entries on India, the Mughals, and Kashmir in the "Encyclopédie"; Jean-Baptiste Colbert, the statesman to whom Bernier’s original letters were addressed and who used them for information on trade and administration; and later Abraham Hyacinthe Anquetil-Duperron, an early orientalist who treated Bernier as foundational. 


Françoise Bernier brought Kashmir to France not as myth, but as a place people could finally picture. A French physician and philosopher, Bernier travelled to Mughal India between 1658 and 1670 and, in 1664–1665, accompanied  Aurangzeb’s court over the Pir Panjal pass into the valley. He wrote detailed letters home, later published as  "Voyages dans les États du Grand Mogol", which became the most widely read French account of India in the seventeenth and eighteenth centuries.


Before Bernier, Kashmir was little more than a name meaning “earthly paradise”. He replaced that vagueness with precise observation. He described the long, cold crossing into the valley, the ring of mountains, the meadows, villages, saffron fields, and orchards, and he likened the landscape directly to Switzerland. He noted Dal Lake, houseboats, the shawl wool of pashmina goats, cherries, melons, and how the Mughals escaped Delhi’s heat by summering there. Because he wrote with a rational, philosophical tone shaped by Descartes, his work appealed beyond travellers. Voltaire and Montesquieu quoted him extensively, Through Bernier’s book, reprinted and translated many times, Kashmir entered French political thought, literature, and imagination, and remained the definitive French image of the valley for over a century.


Bernier Created Curiosity for the Kashmiri Shawl in France


Françoise Bernier did not physically import the shawl, but he was the first to create intellectual curiosity for it in France. By describing the Kashmiri shawl with precision in "Voyages dans les États du Grand Mogol", he transformed it from a vague Eastern luxury into a specific, desirable object linked to Kashmir and Mughal refinement. His letters, addressed to Colbert and later published for the French public, framed the shawl as both a marvel of craft and a potential model for French manufacture.Bernier wrote:


"The shawls of Cashmere are made of the wool of a certain goat, which is found in the country of Thibet, and which is exceedingly fine and soft. This wool is brought to Cashmere, where it is spun and woven into shawls of such delicacy that a single shawl can be passed through a ring.They are of several colours, but the most esteemed are white, or white with a border of flowers." 


It laid the groundwork for the later 18th and 19th century fashion for shawls in France, culminating with Empress Josephine.


( Avtar Mota )




Creative Commons License
Based on a work at http:\\autarmota.blogspot.com\.

Wednesday, July 22, 2026

JAINISM IN KASHMIR


                                              



JAINISM  IN KASHMIR 


Jainism was present in Kashmir from at least the Mauryan period, though it remained a minor tradition compared to Buddhism and Shaivism. According to both the Rajatarangini of Kalhana and Abul Fazl’s Ain-i-Akbari,Emperor Ashoka “first introduced Jainism into the kingdom of Kashmir” during his viceroyalty around 260 BCE. Archaeological and textual evidence confirms a continued, albeit limited, presence: in 932 CE a Kashmiri Shravaka named Ratna founded a Manibimla shrine dedicated to Tirthankara Neminatha on Rajvataka hill. During the Mughal period, Jain monks were part of Akbar’s entourage when he travelled to Kashmir, and the emperor maintained correspondence with the Jain acharya Hiravijaya Suri. Contemporary chroniclers note that Jainism was regarded as one of the “minor religious sects” in the region and “does not appear to have gained very wide popularity”. Xuanzang’s 7th-century account of Kashmir also describes a flourishing centre of education where “various Dharmic Thoughts, like Shaivism, Buddhism, Jainism, Vaishnavism, etc. co-existed”. Thus, while Jainism had temples, scholars and royal patronage at intervals, it functioned in Kashmir primarily as a small Sramana community alongside the dominant Buddhist and Shaiva traditions.


In Kashmir texts and histories,  3 terms are  used for Jains:


1. Shravaka meaning: "Listener / Disciple"  .This is the most common term. It means a lay Jain follower who listens to the teachings of Tirthankaras.  


2. Jaina meaning "Follower of Jina" i.e. Mahavira/24 Tirthankaras  .Used in later texts like Ain-i-Akbari_by Abul Fazl:  


3. Nirgrantha meaning:"One without knots / bonds.  

This is the oldest Buddhist/Jain term for ascetics. Buddha used it for Mahavira and his monks.  

In Sanskrit/Kashmiri chronicles it appears when talking about early Sramana traditions in the Valley.


So all 3 appear, but Shravaka is the one you’ll see most in Kashmiri records for actual people who lived in Kashmir. Kashmir never had a large Jain kingdom, so Jains here are mostly recorded as individual  Shravakas, merchants, or scholars rather than as a ruling community. This is how Rajatarangini  mention Jains as Shravaka.


"तत्रैव राजवटके शैलेऽकारयच्छ्रावको रत्नः ।

मणिबिम्बं जिनेन्द्रस्य नेमिनाथस्य सुन्दरम् ॥"(Taranga 5 of Rajatarangini by Kalhana)


("There itself, on Rajvataka hill, the Shravaka Ratna caused to be made a beautiful jewelled image of Jina, Lord Neminatha.")


Meaning: In 932 CE, a Kashmiri Jain lay follower named Ratna Shravaka built a temple/shrine with an idol of the 22nd Tirthankara, Neminatha, on Rajvataka hill in Kashmir.This proves there was an active Jain community in 10th century Kashmir with patronage to build temples. Kalhana doesn’t use "Jaina" much. The term appears more in later Persian sources like Ain-i-Akbari quoting Kashmiri tradition.Nirgrantha appears in Buddhist texts and pan-Indian Sanskrit literature for Jain monks., Historic Jain texts like the Prabhavakacarita record that the great 12th-century Jain scholar Hemacandra requested grammatical texts from Kashmir's Sharda Shrine ( ancient  seat of learning ) to compile his definitive grammar work, the Siddhahem.



( Avtar Mota )



Creative Commons License
CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
Based on a work at http:\\autarmota.blogspot.com\.

ALBERT CAMUS AND MAHATMA GANDHI

                                                                           


ALBERT CAMUS AND MAHATMA GANDHI

Albert Camus never visited India, yet India entered his moral and intellectual imagination through the figure of Mahatma Gandhi. In Gandhi, Camus encountered a form of rebellion fundamentally different from the revolutionary violence that so often transforms liberation into another form of tyranny. Gandhi's resistance to British imperial rule demonstrated that rebellion need not reproduce the violence of the power it opposes; it could remain anchored in moral restraint, self-discipline and the refusal to kill. This was of particular significance to Camus, whose political thought increasingly revolved around the necessity of limits. In 1948, reflecting upon the moral devastation of the Second World War and the violence of the modern age, Camus described Gandhi as “the only great man of our times.” The statement was remarkable. Camus was deeply suspicious of political hero-worship and of the tendency to transform historical figures into infallible symbols. His admiration for Gandhi therefore did not rest simply upon the latter's political success. It rested upon the moral discipline that governed his resistance.

Camus was, at heart, a firm believer in non-violence, not as a doctrine of passivity or submission, but as a moral limit that human beings must not cross, even in the name of justice. He understood that resistance to oppression was necessary; yet he remained deeply suspicious of every ideology that sought to justify murder as the price of a future utopia. It was within this ethical landscape that Mahatma Gandhi assumed a particular significance for him. Camus admired Gandhi not because he accepted Gandhian philosophy wholesale, but because Gandhi embodied the rare possibility of moral action in history without surrendering to the logic of violence. Gandhi had demonstrated that it was possible to resist oppression, struggle for justice and defend the dignity of a people without becoming what one opposed. Yet the moral courage that made such resistance possible did not arise in Gandhi in isolation. It was nourished by a profound and lifelong engagement with the Bhagavad Gita, a text he repeatedly read, studied and heard expounded at his Ashram by distinguished scholars, including Vinoba Bhave. 

The Gita gave Gandhi a spiritual grammar for action: to act without attachment to the fruits of action, to fulfil one’s duty without hatred, and to confront injustice without allowing the struggle against evil to corrupt the soul of the resister. Here, perhaps, lies one of the most significant intellectual and ethical bridges between Camus and Gandhi. Camus encountered the Gita as a text of action without illusion; Gandhi lived its moral discipline as a practice of non-violent resistance. Their paths were therefore not identical, yet they converged around a profound question: how can one act decisively in a violent and unjust world without becoming an instrument of violence oneself? In Gandhi, Camus recognised a figure who had entered history without allowing history to corrupt the human conscience, a moral possibility that, for Camus, remained among the rarest and most precious achievements of the modern age. The Bhagavad Gita, standing between them as a profound spiritual and philosophical bridge, helps illuminate the otherwise unexpected affinity between the Algerian-born French writer and the Indian apostle of non-violence.

Gandhi found the spiritual resources for moral action in truth, ahimsa and his profound reading of the Bhagavad Gita. Camus sought a comparable discipline in lucidity, measure and the ethics of limits. Their meeting, therefore, is not a meeting of doctrines but of moral imperatives. One must rebel, but one must not become what one rebels against. That, perhaps, is where Gandhi's Gita and Camus's revolt come closest; not in metaphysics, but in the difficult ethics of action

( Avtar Mota )



Creative Commons License

MY POEM ,"THE LONELIEST ILLNESS "

                                              


THE LONELIEST ILLNESS

There comes an illness
for which medicine has no name.

The body burns.
The fever rises.
The night keeps its own counsel.

But none of this
is the worst.

The worst
is not knowing
whose name to utter
when pain becomes heavier
than the body.

A closed door.

An unanswered call.

A chair beside the bed
that remains
more faithful
than any friend.

Pain can be endured.

Silence cannot.

The flesh heals
according to its season.

Loneliness
has no season.

There comes an hour
when suffering
no longer asks to be cured.

It asks
to be seen.

One hand
upon the forehead.

One voice
breaking the silence.

One human being
to stand between us
and the emptiness.

That is all.

Without it,

even hope
forgets the way.

Perhaps that is why
the deepest illness
is never the one
the physician discovers.

It is the one
that leaves no wound,

only an empty chair,

and a silence

that outlives the fever.

( Avtar Mota )




Creative Commons License

Tuesday, July 21, 2026

NEW HISTORIANS AND SIKANDER BUTSHIKAN


(Ruins of Martand Sun Temple in Kashmir , photo taken in 1868 by John Burke.The Temple was one among hundreds of temples demolished during the rule of Sultan Sikander Butshikan )


 NEW HISTORIANS  AND SIKANDER BUTSHIKAN

The reign of Sultan Sikandar Shahmiri, 1389–1413 CE, occupies a position of considerable clarity within the extant historiography of medieval Kashmir, notwithstanding recent attempts to obscure it. In both the Indo-Persian annalistic tradition  :Baharistan-i-Shahi, Tarikh-i-Firishta, Tohfatu’l-Ahbab and in the Sanskritic continuation of Kalhana’s Rajatarangini by Jonaraja and Srivara, he is recorded under the epithet Butshikan,  the Idol-Breaker. The convergence of Persian and Sanskrit testimony on this point is seldom encountered and ought to command the historian’s attention. To recast him as a ruler of toleration by recourse to tendentious translation, and in the absence of any competence in Persian, Sanskrit, or Sharada, is not scholarship but sophistry. Such endeavours do not illuminate the past; they darken it. They constitute a disservice to historical inquiry and to the public understanding of Kashmir’s medieval past.



The Historical Record


The reign of Sultan Sikandar Shahmiri, 1389–1413 CE, is consistently recorded as one of iconoclasm. Persian chronicles and the Sanskritic Rajatarangini continuations concur in designating him Butshikan.The archaeological record affirms this: from Verinag to Pakistan-occupied Kashmir, the ruins of major temples remain, some repurposed as graveyards, others with later superstructures erected upon their plinths.


Sultan Sikandar's rule  is detailed in Baharistan-i-Shahi, Tarikh-i-Firishta, and Tohfatu’l-Ahbab, and many more texts .  As in the Persian texts, the Sanskrit continuation of Kalhana’s Rajatarangini by Jonaraja, and thereafter by Srivara, record with consistency the destruction of temples, the levy of jizya, and measures of religious coercion during his reign. These accounts, written within living memory of the events, constitute our principal indigenous testimony.  To disregard these texts, or to read them through third-party translations alone, is to abandon the basic tenets of historiography.


 The Methodological Failure


A number of present-day commentators who style themselves as intellectuals and historians proceed without competence in the requisite languages : Sanskrit, Sharada, or Persian. Their arguments are constructed upon selective English renderings, taken out of context and made to serve a narrative conceived in advance.  This is not critical history. It is an exercise in presentism. By substituting supposition for textual engagement, they do not clarify the past. They obscure it. In doing so, they perform a positive disservice both to history as a discipline and to the public, whom they render more ignorant rather than enlightened. It is darkness masquerading as light.


Whereas historians employ epigraphy, stratigraphy and scientific dating to test such evidence, the present tendency is one of selective citation and tendentious translation by those without competence in Persian, Sanskrit, or Sharada. This constitutes not revision but fabrication , a narrative of limited circulation that collapses upon first scholarly examination beyond a geographical space . It is a disservice to history.


 The Greater Disservice: The Erasure of Sultan Zain-ul-Abidin


What makes this distortion particularly egregious is that it simultaneously belittles the singular legacy of Sultan Zain-ul-Abidin, r. 1420–1470 CE.  Within the Shahmiri lineage, Zain-ul-Abidin stands apart. The Persian and Sanskrit sources alike : Baharistan-i-Shahi, Tarikh-i-Kashmir, and the later portions of the Rajatarangini tradition  record his policies of religious toleration, the recall of exiled Pandits, the remittance of jizya, patronage of Sanskrit learning, and the translation of the Mahabharata and Rajatarangini into Persian.  

He is the only ruler of that dynasty whom both traditions acknowledge, with near unanimity, as liberal and just. 


By attempting to project the attributes of Zain-ul-Abidin backwards onto Sikandar, these so-called intellectuals do a twofold wrong. They misrepresent Sikandar, and they diminish Zain-ul-Abidin. They collapse the distinction between an iconoclast and a conciliator, and thereby rob Kashmiri history of its nuance. To deny Zain-ul-Abidin his unique status is to do violence to the very record they claim to uphold.


Conclusion 


History cannot be wished into conformity with contemporary preference. It must be read on its own terms, in its own languages. Anything less is not revision. It is reduction.  And to reduce the past in this manner is to fail both the dead and the living.


Should these historians be compelled to operate beyond their parochial remit, one may confidently anticipate further ingenuities. With the same methodological rigour, they would not scruple to advance the proposition that Mahmud of Ghazni did not, in fact, sack Somnath; that the devastation was wrought instead by a most obliging and localised earthquake, confining its attentions to precisely two square miles of temple precinct. Such is the poverty of scholarship that substitutes invention for evidence, and anecdote for archive.




( Avtar Mota )



.Creative Commons License
CHINAR SHADE by Autarmota is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.
Based on a work at http:\\autarmota.blogspot.com\.